Deborah Lippmann spring 2012 – Mermaid’s Dream (swatches & review)

•February 23, 2012 • 14 Comments

 

Who hasn’t pretended, when floating languorously in the water, to swish an imaginary iridescent fishtail while seaweed-long hair trails obediently behind? Ok, well maybe that was just me, but still … I always wanted to be a mermaid. It’s true; I did.  As I came to terms with my “landlocked” status, I grew out of my childhood desire, but not the exoticness of it all, and now, thanks to Deborah Lippmann’s ‘Mermaid’s Dream’, one of her new spring 2012 shades, I can at least live the fantasy – through my nails!  All swatches are with Deborah Lippmann’s 2 Second Nail Primer, Rehydrating Base Coat, and Addicted to Speed Top Coat.

 

- A Mermaid (1901) by John Williams Waterhouse

I still regret having missed the Waterhouse exhibit when his collection came here to Montréal, as the above painting is one of my all-time favourite works of his; the ethereal yet absolutely real beauty portrayed in this work, both inspires me and literally takes my breath away.


Mermaid’s Dream – mythically stunning


Mermaid’s Dream macro shot



a magnified look at iridescent fish scales – so surreal (and what about the colour resemblance?!)


‘Mermaid’s Dream’, is nothing short of enchanting; a seafoam green base shade in a pearlized/frosted/metallic format, it is filled with ultra-fine golden glitter dust as well as larger aqua glitter pieces scattered throughout. The formula had an excellent viscosity, flowing neither too thick nor too thin, and while two coats gives decent opacity (especially on shorter nails than mine here), I applied three very thin coats for a richer coverage. There also seems to a shy duochrome effect taking place as well, going from: the palest celadon, aqua, light green, sky blue, to some yellow-gold flashes when the light hits your nails at certain angles. Even though this shade doesn’t exhibit a high gloss, there is this uncanny reflective glow given off at the finish that is seriously mesmerizing. Another plus is the rather quick dry time, although be advised that as with all glitter lacquers, some work is required for removal – but it’s so worth the effort in this case! While the surface is somewhat even at the finish, adding top coat ensures a stunningly complimentary gloss and extra smoothness to the touch.

 

in sunlight


closeup


angle showing some blue tones


alternate angle view


backlit view


in shaded lighting


indoors


with flash


with flash, alternate view

 

Final thoughts: I don’t know how she managed to do this, but Deborah Lippmann has created some serious aquatic beauty with ‘Mermaid’s Dream’.  This is like wearing the lacquer version of iridescent fish scales on your nails, and all I know is that I could NOT stop staring at my hands the entire time I wore this gem! The formula was a touch sheer, but I feel that it actually enhances the entire “oceanic” effect of this shade and keeps it from appearing too “heavy” – an absolutely perfect lacquer to wear for all us mermaid wanna-be’s!

 

 

 

 

*Image credits 1, 2

China Glaze – ElectroPop Collection part 2 (swatches, comparisons & review)

•February 22, 2012 • 14 Comments

 

Presenting the second half of China Glaze’s spring 2012 ElectroPop Collection: the blues, one yellow … and a glitter! I should begin by setting the record straight; in my review of part 1 (here), I erroneously stated that ‘Gothic Lolita’ was the only shade with shimmer in this entire collection, however this group has its own shimmery star as well! All swatches are with base and top coats.

 

‘Aquadelic’ – an absolute dead ringer for the shade made famous by Tiffany®, is a vivid turquoise-leaning Robin’s Egg shade of blue, with some subtle yellow undertones. The first coat applied a touch patchy, but the second coat not only eliminated any issues,  it gave perfect coverage without any streaking and levelled off utterly smooth. Incredible gloss left behind at the finish.

 

in sunlight


indoors


with flash


My first thought was that ‘Aquadelic’ was a near-duplicate of China Glaze’s cult shade ‘For Audrey’, and while there’s no denying the resemblance, there are some minor differences as well, primarily in the intensity of the hue. Whereas ‘For Audrey’ appears to be a truer turquoise from the bottle photo, swatched beside the slightly more vivid and greenish ‘Aquadelic’, it comes off as rather blue based.  Other than that, the formula was almost identical on both. The following swatches are: index & ring fingers – ‘Aquadelic’, middle & pinkie fingers – ‘For Audrey’.

 

in sunlight


indoors


with flash


The following swatches show one coat of ‘Techno’ layered over both ‘Aquadelic’ and ‘For Audrey’, still in the same order as listed above.

 

in sunlight


closeup


indoors


with flash


‘Sunchine Pop’, the second shimmer of this entire collection, is an egg-yolk shade of yellow, filled with ultra-fine pearly shimmer. The first coat showed some bald patches, which were then completely covered and smoothed over by second layer. I love how happy this shade looks, and that shimmer gave it a unique depth of tone.

 

in sunlight


indoors


with flash


Once more, as soon as I applied ‘Sunchine Pop’, I was immediately reminded of CHANEL’s Mimosa (previously reviewed here), and even though the bottle photo shows them to be somewhat different from each other, once swatched I was surprised by how close they actually are.  The following swatches are: index & ring fingers – ‘Sunchine Pop’, middle & pinkie fingers – ‘Mimosa’.  Here’s how ‘Mimosa’ compared to ‘Sunchine Pop’s’ more daffodil yellow hue:

  • slightly thinner flowing
  • applies easier with less streaking/patchiness
  • definitely more shimmer filled, but a similar quality
  • not as vivid, more of a lemon-curd yellow
  • not as opaque even at two coats

 

in sunlight


indoors


with flash


With one coat of ‘Techno’ layered over both ‘Sunchine Pop’ and ‘Mimosa’, still in the same order as listed above.

 

in sunlight


closeup


indoors


with flash


‘Kinetic Candy’ may very well be the sleeper hit of this group! A washed out sky blue with the most subtle green tints thrown into its base, this had a slightly thinner formula than the others, which helped it flow exceptionally easily.  Two coats are all that are needed to achieve complete opacity and I was pleasantly surprised by the fact that for a pastel hue, there was absolutely no streaking or patchiness.  Amazing gloss at the end – LOVE!

 

in sunlight


indoors (* please look beyond the lobster hue of my skin!)


with flash


With one coat of ‘Techno’ layered over ‘Kinetic Candy’, I was totally captivated; I found that the more prismatic pieces completed complimented the lighter yet funky neutral base.

 

in sunlight


closeup


indoors


with flash


‘Electric Beat’ – the slightly deeper-toned sibling of ‘Kinetic Candy’, is a saturated periwinkle blue shade, in a wonderfully easy to apply formula.  Some patchiness that was noted with the first coat, immediately disappeared once the second layer was applied, leaving nothing but a smooth and high gloss finish behind – a pastel hue, but with an urban vibe to it just the same … another hit!

 

in sunlight


indoors


with flash


Once more, one coat of ‘Techno’ layered over ‘Electric Beat’ did everything right to this shade, as both the base colour and the prismatic glitter totally set each other off beautifully.

 

in sunlight


closeup


indoors


with flash


‘Gaga For Green’ is a paradoxically ultra-vivid yet somewhat still muted looking clover-green shade.  The formula was a surprise as well, applying rather sheerer than the other colours in this group with a hybrid jelly-crème finish. The finish was not only rather pillowy-looking, but the glass-like finish was absolutely superb!

 

in sunlight


indoors


with flash


One coat of ‘Techno’ layered over ‘Gaga For Green’ turned out to not be my preferred combo, as I found that the vivid base shade and everything going on with the layering lacquer seemed to clash – like they’re each trying too hard! However, this would make a fabulous Christmas look!

 

in sunlight


closeup


indoors (*do not adjust your sets: yes, the green makes my skin look lobster-ish once more!)


with flash


‘Techno’ is hypnotic; a clear suspension formula base absolutely loaded with silver ultra-fine glitter and larger prismatic hexagonal glitter pieces, this is a kaleidoscope captured in a bottle of lacquer! Care needs to be take for application in the sense that you absolutely must wait at least 2 minutes between coats for the best look, but for a layering polish I found that it still gave decent coverage due to the density of the glitter. For the smoothest surface, do not skip top coat, but I must say that it was surprisingly smooth to the touch even without.  As with all glitter polishes, some elbow grease is required for removal, but I’ve discovered that China Glaze glitters are definitely some of the easiest to remove.

 

2 coats in sunlight (no top coat)


3 coats in sunlight (with top coat)


closeup


indoors


with flash


I was fairly convinced that ‘Techno’ was the China Glaze version of OPI’s ‘Serving Up Sparkle’ (previously reviewed here), and while initially they may seem almost identical, there are several differences.  All swatches are: index & ring fingers – ‘Techno’, middle & pinkie fingers – ‘Serving Up Sparkle’ (plus top coat). Here is how the OPI compared to ‘Techno’:

  • formula was slightly thinner-flowing
  • the hexagonal glitter pieces were significantly sparser
  • much less densely applying, needing at least another coat to reach the look of ‘Techno’

 

in sunlight


closeup


indoors


with flash

 

Final thoughts: Something feels right about bright pastel hues for spring; even though these may not be the “wheel re-invented” as far as originality is concerned, I love the energy that these colours project and I can’t stress enough how fabulous China Glaze’s formula is – especially when you factor in the budget-friendly price point. I did not expect that ‘Kinetic Candy’ would grab me the way it did, but I so love how it’s a pale but vibrant baby blue – adding flamboyant ‘Techno’ on top, took “cute” to a whole new other level! If you haven’t already, give this ElectroPop collection another look – you may find some surprises, much like I did.

 

 

 

 

*Disclaimer: Product samples provided by the company/PR for my unbiased consideration

China Glaze – ElectroPop Collection part 1 ‘the pinks and purples’ (swatches & review)

•February 17, 2012 • 24 Comments

 

China Glaze’s new spring 2012 ElectroPop collection, is like a boost of adrenalin: bright, vibrant, happy and just so much fun! While neutrals and deeply brooding shades will always rank high on my favourites list, I have to say that I’m really loving these “hot” shades and look forward to sporting some much needed colour on my nails – always feels good after the winter “blahs”.  All swatches are with two coats of lacquer, and Poshé Fast Drying Basecoat, and Topcoat.

 

‘Make some Noise’ is an incredibly juicy-looking, pink-tinted coral in a jelly format that mysteriously applies like a crème. Exceptionally glossy, the finish was also very self-levelling (as were basically all of these shades), and I experienced absolutely no staining upon removal – always a plus.

 

in sunlight


indoors


with flash


With one coat of ‘Techno’ (to be reviewed and compared in detail in part 2) layered over ‘Make Some Noise’. Quite smooth to the touch at the finish.

 

in sunlight


closeup


indoors


with flash


‘Wicked Style’ is a paradoxically muted yet vivid deep rose pink, bearing the same hybrid jelly-crème formula as ‘Make Some Noise’, as well as a similar high-gloss shine and super smooth finish. No staining with this lovely, either!

 

in sunlight


indoors


with flash


‘Wicked Style’ with one coat of  ’Techno’ layered on top – very retro looking but so pretty at the same time.

 

in sunlight


closeup


indoors


with flash


‘Fuchsia Fanatic’ is an absolutely true fuchsia hue, with definitive blue undertones to give it depth. I was surprised by how much I totally fell for this hue on my nails, and how flattering it seems to be against the skin. Very self-levelling and ridiculously glossy at the end, this one felt much creamier than the previous two.  Once more, no staining was noticed upon removal.

 

in sunlight


indoors


with flash


‘Fuchsia Fanatic’ with a coat of ‘Techno’ layered on top, brought me right back to the “groovy” 70′s … love this!

 

in sunlight


closeup


indoors


with flash


‘Sweet Hook’, a grey-tinged lavender hue, was the problem child of the six shown here, but with a little patience, it did eventually behave.  A true crème formula, the first coat applied somewhat patchy, but the second coat levelled everything off and gave full coverage.  I was not prepared for how naturally glossy this shade ended up – not usual for a pastel hue. Sometimes showing some pink, at others flashing rather purple, this shade holds some unique properties indeed.

 

in sunlight


indoors


indoors, alternate view


with flash


‘Sweet Hook’ with one coat of ‘Techno’ layered on top, wound up being my favourite combo of the six. Dainty, feminine & punk, all rolled into one!

 

in sunlight


closeup


indoors


with flash


‘Dance Baby’ is a girly bubble-gum pink hue, made slightly cool by its blue undertones. Bearing an excellent flow to its crème formula, it was perfectly opaque by the second coat, although I did notice some patchiness with the first layer. Gorgeous gloss at the finish.

 

in sunlight


indoors


with flash


‘Dance Baby’ with one coat of ‘Techno’ layered on top – gives this cotton-candy hue a nice “kick”.

 

in sunlight


closeup


indoors


with flash


‘Gothic Lolita’, the only shade with shimmer in this entire collection, is in a word: SUPERB. A violet-grape hue, this shade had the best formula of the six, flowing across the nail with barely any effort at all, and its understated dark pink shimmer dust gives it an amazing depth of tone. As it was also the least glossiest of them all, you definitely need topcoat to really bring out its gorgeousness. Note how this colour shifts, depending on the light – incredible!

 

in sunlight


in sunlight, alternate view


indoors


indoors, alternate view


with flash


with flash, alternate view


‘Gothic Lolita’ with one coat of  ’Techno’ layered on top – slight overkill in my opinion, as this base colour doesn’t need any more amping up, but looks good just the same.

 

in sunlight


closeup


indoors


with flash

 

Final thoughts: The first part of my ElectroPop collection review, didn’t yield any surprises, but it didn’t hold any disappointments either.  China Glaze continues to impress me with the quality of their formula, their vast range of colours, their wonderfully medium-density and flexible brush, as well as their excellent price point. All six shades gave an easy application, and even though the two pastels had some slight issues, they wound up complying along with the others. While ‘Gothic Lolita’ is a total eye-catcher, I was actually surprised to find myself gravitating more towards ‘Fuchsia Fanatic’ – and you know how much I’m NOT a pink girl! Stay tuned for my upcoming part 2 of this collection!

 

 

 

 

*Disclaimer: Product samples provided by the company/PR for my unbiased consideration

 

Vintage CHANEL: #59 Canicule – for all my beauties on Valentine’s Day! (swatches & review)

•February 14, 2012 • 38 Comments

 

Ahhhh … l’amour … love is in the air  ! Many years ago, my husband (wisely) declared that every day would be Valentine’s Day for us (told you he was wise!) and so while we don’t designate just one day out of an entire year to openly declare our feelings to one another, I still enjoy how people around me seem to smile more and actually seem happier on Valentine’s Day. Or maybe that’s what the greeting card companies want me to believe … *conspiracy theories growing* …

 

In honour of the holiday, I once more reached into my CHANEL vintages vault and discovered this absolutely perfect Valentine beauty: ‘Canicule’, a deeply glowing candy-apple red shade filled with ultra-fine red shimmer and sparse larger silver flecks. French for the intense heat of late summer, how perfectly this shade embodies the spirit of the day! The formula was absolutely superb, flowing evenly and with just the right amount of viscosity for a flawless application.  With two coats, perfect coverage was reached, as it levelled itself off smoothly without any telltale brushstrokes left behind. I was amazed that a shimmer lacquer would be so stunningly glossy, even before I added a top coat. Bonus: ridiculously easy removal and absolutely NO staining left on the nail upon removal. All swatches are with base and top coats.

 

in sunlight


closeup


indoors


with flash

 

Final thoughts: What I love about this Vintage CHANEL series, is that I am not only re-discovering some of these beauties that I’ve collected over the years, but how I continue to be impressed by CHANEL’s far-reaching vision. ‘Canicule’ is one of those varnishes that may not seem all that unique at first; since its release (I’m not sure of the exact date, but it’s definitely more than 10 years ago) we have seen every shade of red imaginable and in many incarnations, and yet, there still remains something special about this one … ripe for passionate pursuits (you decide what that may be) !

 

Cape Ground Squirrels sharing a Valentine moment – aren’t they the cutest?

 

 

 

*Image credits 1,2

Nail Trends & Looks at the 54th Annual Grammy Awards

•February 13, 2012 • 14 Comments

 

The 54th Annual Grammys that took place this past Sunday, February 12th, began on a sombre note: Whitney Houston, one of the legendary voices of our time, had suddenly passed away, leaving us reeling with sorrow. The awards then took on the air of a celebratory wake, as artists from all genres came together to not only support each other’s accomplishments, but to give us a grand show full of fabulous performances, culminating in a heart-felt tribute sung by Jennifer Hudson. The Grammys were not without their “moments” either, such as Lady Gaga’s no-show on the red carpet (she went straight through to the awards show), Katy Perry’s smurf-blue hair, and Nicki Minaj escorted in on the arm of – a pope? Ok … it is Hollywood, after all!

 

Whitney Houston 1963 – 2012


a view of the auditorium/tribute to Whitney Houston

As a beauty blogger, my eye is always drawn first and foremost to the red carpet entrance of the stars, particularly their makeup, nails and hair. After countless award shows where celebrities have been playing things safe with regards to their nail looks, I am so pleased to report that we finally got to see some creativity and diversity where their varnish choices were concerned … colour and some unique nail art reigned!


Adele in a custom made Giorgio Armani sequin gown (Louboutin heels)

a closer look at Adele’s Louboutin inspired manicure: silver sequins on top, red on the inside – in homage to her shoes?

Adele’s “Fifi Aurora Boreal” heels by Christian Louboutin and mimicked on her nails


Rihanna in a plunging Giorgio Armani gown (Louboutin heels)

a closer look at RiRi’s “Scarface” inspired dress and “bling” manicure


Gwyneth Paltrow with vibrant red nails and wearing a Stella McCartney gown


Jennifer Hudson paying tribute to the late Whitney Houston in a wig and sleek black gown


Kelly Rowland sporting a “statement mani” and in an Alberta Ferretti blush pink gown


Lady Gaga in a Versace ensemble

a closer look at Gaga’s super-metallic manicure


Jessie J with long tapering nude nails and in a Julian Macdonald silver gown


Fergie with her signature long nude talons and in a Jean-Paul Gaultier Haute Couture spring/summer 2012 orange lace fishtail gown


Paris Hilton with sparkly golden nails and in a Basil Soda white gown


Kate Beckinsale flashing a deep gunmental nail polish and in a Zuhair Murad in an asymmetric mini dress


Katy Perry in an Elie Saab in a sky blue floral appliqué gown

a closer look at Katy’s unique “french” manicure: blue tips & rhinestones

While more subdued nail looks were outnumbered by more vibrant numbers, there were still some requisite “nudies”:


Taylor Swift with blush nude nails and in a Zuhair Murad embroidered gown


Alicia Keys opting for natural looking nails and in an Alexandre Vauthier spring/summer couture 2012 dress


Carrie Underwood with a delicate French tip mani and in a Gomez-Garcia sequin gown (Jimmy Choo heels)


Kelly Obsourne with surprisingly natural looking nail lacquer and in a Tony Ward Asymmetric gown (Giuseppe Zanotti heels)

 

Final thoughts: It seems like forever since we were treated to so many diverse nail looks by the stars, and I’m glad to see that this was one venue where people felt comfortable enough to indulge in plenty of variety. I love how there wasn’t one overriding nail theme or trend, but more a collection of what we’ve all been playing around with for some time now, and yet it was nice to see how the nails tied in everyone’s look. Of course, nude nails will always be a classic stand-by, but if you can’t have fun at the Grammys, then what’s the point … am I right?!

 

Adele and her 6 Grammys – Congratulations!

 

 

 

*Image credits 1, 2, 3