Filed In: Nail Polish Comparisons

OPI – Peace & Love & OPI with comparisons

OPI Peace & Love & OPI comps opener

 

Sometimes it seems like nail polish brands are on the same wavelength; with OPI’s San Francisco Fall 2013 release coming out at the same time as that of the Essie Fall 2013 launch, the shade that stood out from both collections was a gorgeous duo chrome. Naturally, I needed to know how close the two really were and that curiosity led me to hunt out a couple more similar shades. The following breakdown is how they compared:

All swatches are with base and top coats.

index finger: Deborah Lippmann ‘Wicked Game’ – the sheerest of the four, most apparent lilac tones, grey in the base quite subtle

middle finger: OPI ‘Peace & Love & OPI’ (reviewed here) – medium density formula, a couple of degrees brighter overall, the teal & mauve tones the most predominant of the four

ring finger: Essie ‘For The Twill Of It’ (reviewed here) – the thickest formula of the four (still an easy application, however), the closest in look & finish, the thinner brush of the Essie scores points for leaving behind fewer visible brush strokes

pinkie finger: OPI ‘Not Like The Movies’ (reviewed here) – mid-sheer formula with pronounced lilac undertones, the only one of the four bearing silver & gold micro glitters, the grey base is more apparent than the others

 

OPI Peace & Love & OPI comps

clockwise from top left: Deborah Lippmann ‘Wicked Game’, OPI ‘Peace & Love & OPI’, OPI ‘Not Like The Movies’, Essie ‘For The Twill Of It’

 

OPI Peace & Love & OPI comps swatch

OPI San Francisco Collection – Peace & Love & OPI with comparisons

 

OPI Peace & Love & OPI comps swatch 2

OPI San Francisco Collection – Peace & Love & OPI with comparisons

 

OPI Peace & Love & OPI comps swatch 3

OPI San Francisco Collection – Peace & Love & OPI with comparisons

 

OPI Peace & Love & OPI comps swatch 4

OPI San Francisco Collection – Peace & Love & OPI with comparisons

 

It’s quite obvious from the swatches above, that both OPI and Essie have achieved similar results with their respective duo (multi) chrome lacquers and while to my eye there are a few differences, they are minimal at best. Deborah Lippmann’s ‘Wicked Game’ has the honour of being the first out of the gate with this ethereal kind of shade, and I like the fact that it’s still available today (part of the permanent range). Do you need both the OPI and the Essie? I’d say probably not – your choice will be determined by either your brand favourite (OPI vs Essie), or brush preference (the thinner Essie vs the wider OPI). Then again, if you are a collector of this type of finish, you’ll want both. Or all.  I’m just sayin’…

 

OPI Peace & Love & OPI comps closer

*Disclosure: Product samples provided by the company/PR for my unbiased consideration

Essie Fall 2013 – Comparisons

Essie Fall 2013 comparisons opener

 

I’m not surprised that Essie’s Fall 2013 Collection has sparked quite a bit of interest amongst enthusiasts of the brand, and since many of you have wondered how close several of the new shades are to past hues, here’s a breakdown on a nail wheel for comparison. The swatches shown are all done with 2 coats of lacquer each (no base or top coats), but bear in mind that natural nails may alter the colour to a certain degree. I’ve left out ‘For The Twill Of It’ as well as ‘Cashmere Bathrobe’ from this post, as I don’t have anything like either shade in my personal collection of Essie polishes.

 

The reds:

  • Limited Addiction – from the Fall 2010 Collection (reviewed here): a couple of degrees deeper in tone, but otherwise exceptionally close colour-wise (crème formula)
  • Twin Sweater Set
  • First Dance – from the Bridal 2011 Collection (reviewed here): several degrees lighter in tone, sheerer formula


Essie Fall 2013 red comparisons

the reds

 

The Purples:

  • Sure Shot – from the Resort 2012 Collection (reviewed here): more pink based and filled with ultra-fine shimmer (as opposed to glass-flecked)
  • The Lace Is On


Essie Fall 2013 purple comparisons

the purples

 

The Greens:

  • School Of Hard Rocks – from the Holiday 2011 Collection (reviewed here): similar formula, more teal/blue based
  • Vested Interest


Essie Fall 2013 green comparisons

the greens

 

The Blues:

  • Midnight Cami: more vivid shade of blue & filled with ultra-fine glass-flecked shimmer
  • After School Boy Blazer
  • No More Film – from the Resort 2012 Collection (reviewed here): similar formula but several degrees lighter, more cobalt/indigo leaning in tone
  • Bobbing For Baubles – from the Holiday 2011 Collection (reviewed here): similar formula, more grey based and a few degrees darker in tone


Essie Fall 2013 blue comparisons

the blues


Last word
: Apart from the red shades, the other hues of this collection all seem to be rather unique – both in tone & texture/application, and hopefully this quick chart can help you narrow your choices down in preparation for this collection’s release this August. No matter which shade(s) you opt for, they’re all fabulous!

More information on Essie can be found via the website, twitter or facebook


Essie Fall 2013 comparisons closer

*Disclosure: Product samples provided by the company/PR for my unbiased consideration

CHANEL #583 Taboo (Limited Edition) & a comparison

CHANEL Taboo opener

 

CHANEL, long the master of covetable nail lacquers (amongst other products), has done it again with the release of their limited edition shade, #583 Taboo. Sure to stand tall amongst such cult faves such as Jade, Nouvelle Vague, and Ciel de Nuit, this nocturnal hue is almost hypnotic to look at; what at first appears as a shimmery vampy hue, bears a surprise with each brush stroke and true to CHANEL’s inimitable style, is destined to spawn many look-a-likes. I can guarantee that none will come close, however.

 

CHANEL Taboo

CHANEL #583 Taboo

CHANEL Taboo 2

CHANEL #583 Taboo

CHANEL Taboo 3

CHANEL #583 Taboo

CHANEL Taboo 4

CHANEL #583 Taboo (CAD $27.00) – a complex multi-chrome eggplant/wine base hue filled with ultra fine ribbons of purple and burgundy shimmer throughout and with mega colour shifting properties that throw out purple/indigo flashes, depending on the angle and lighting. The contents at the bottle’s neck appear rather inky in tone, belied by the application, which lays down more dark violet at the first coat. Pigmentation is STELLAR and the flow is simply phenomenal, while the final result is of that lit-from-withing glow which I absolutely adore – very much like a banked fire. Mysterious, sensual, provocative and intriguing — this shade is all that, and more, with the added bonus of absolutely no staining left behind upon removal. Coats applied: 2, plus top coat (although its rich colour saturation can easily make it pass for a 1-coater)

 

CHANEL Taboo swatch

CHANEL #583 Taboo

CHANEL Taboo swatch 2

CHANEL #583 Taboo

CHANEL Taboo swatch 3

CHANEL #583 Taboo

CHANEL Taboo swatch 4

CHANEL #583 Taboo

CHANEL Taboo swatch 5

CHANEL #583 Taboo

CHANEL Taboo vs OPI

CHANEL #583 Taboo vs OPI German-icure by OPI – when I went looking for a comparison shade, the only one that came to mind was OPI’s German-icure by OPI (reviewed here) from the Germany Collection. A quick note: there have been many discrepancies as to the true name of this OPI shade, but my rep still insists that the one I have is rightly named, and not ‘Every Month is Oktoberfest’ as most people claim. Whatever. How the two compared:

  • index & pinkie fingers – German-icure by OPI: less purple in base colour, burgundy tones more prominent with a finer shimmer throughout
  • middle & ring fingers – #583 Taboo

CHANEL Taboo vs OPI swatch

CHANEL #583 Taboo vs OPI German-icure by OPI

CHANEL Taboo vs OPI swatch 2

CHANEL #583 Taboo vs OPI German-icure by OPI

 

Last word: I’ll make this easy: you NEED this shade. Unique and totally captivating, completely unlike anything else CHANEL has ever produced, this is one of those lacquers that will have you long regretting passing it up. The application is flawless and the range of colours found in this one bottle ensures that it will suit basically every skin tone and every season, at that. As stated from the start, it is a limited edition shade – don’t say you weren’t warned. Definitely back-up worthy.

Available now through all CHANEL counters.

 

CHANEL Taboo closer

*Disclosure: Product samples provided by the company/PR for my unbiased consideration

CHANEL – Le Vernis L’Été Papillons for Summer 2013 Limited Edition

CHANEL Summer 2013 Le Vernis opener

 

When my CHANEL Sales Agent showed me the early promotional images for this collection a few months ago, I’m sure I must have gasped out loud upon spotting these 3 beauties – that green! that blue! Once again, with the L’Été Papillons for Summer 2013 Collection (you can read my review on the new Stylo Eyeshadows here), CHANEL has proven why this venerable brand is at the top of its game, releasing a beautifully themed grouping of products that not only embody the spirit of the season, but that manage to perfectly capture the ephemeral – yet utterly brilliant – colours of delicate butterfly wings.

These three limited edition lacquers (each CAD $27.00 13 ml/0.4 fl.oz) come in the iconic CHANEL rectangular bottle with the removable outer square cap, revealing a smaller & user-friendly ribbed inner cap. The wand is an easy to work with length, while the brush itself is one of the best I’ve worked with; flexible enough to splay evenly when pressure is applied, while being neither too thick/bushy nor too thin.

 

CHANEL Summer 2013 Le Vernis

CHANEL L’Été Papillons Summer 2013 – #657 Azuré, #647 Lilis, #667 Bel-Argus

CHANEL Summer 2013 Le Vernis 2

CHANEL L’Été Papillons Summer 2013 – #657 Azuré, #647 Lilis, #667 Bel-Argus

CHANEL Lilis

#647 Lilis – an ultra smooth coral-salmon hue in a crème/jelly hybrid formula, bearing intense colour saturation and able to suit both warm & cool skin tones equally. Completely non-staining upon removal. Coats applied: 2, plus top coat

 

CHANEL Lilis swatch

CHANEL – #647 Lilis

CHANEL Lilis swatch 2

CHANEL – #647 Lilis

CHANEL Lilis vs Dior Délice swatch

  • Middle & ring: CHANEL – #647 Lilis
  • Index & pinkie: Dior #433 Délice – thicker formula, higher pigmentation, visible pink, gold & silver finely ground glitter, satin natural finish which can make the base tone appear a few degrees lighter

 

CHANEL Azuré

#657 Azuré – a multi-dimensional teal duo chrome that gives off iridescent green, blue, purple and some scant bronze flashes, depending on the light and angle. Due to its metallic nature, a steady hand is a must in application, in order to avoid any visible brush strokes (which are actually much less pronounced in person than my high resolution images may show here). The paradox is with the formula: the first coat may seem rather sheer when you apply it, but this shade becomes fully opaque by the next coat – just make sure to work quickly, as this is a quick-drying lacquer. Coats applied: 2, plus top coat

 

CHANEL Azuré swatch

CHANEL – #657 Azuré

CHANEL Azuré swatch 2

CHANEL – #657 Azuré

CHANEl Azuré swatch 3

CHANEL – #657 Azuré

CHANEL Azuré & comparisons swatch

  • Index: China Glaze ‘Deviantly Daring’ (reviewed here) – the closest colour-wise, more pigmented with the shimmer slightly more defined, a few degrees deeper/greener leaning – 2 coats
  • Ring: Dior #704 from the Samba Duo (Birds of Paradise Collection) – duller finish, more green tinged, not as obviously metallic – 2 coats
  • Middle: CHANEL #657 Azuré
  • Pinkie: OPI ‘Catch Me In Your Net’ – sheerer formula, blue leaning, visibly larger shimmer with ground gold & teal/aqua glitter – 2 coats

 

CHANEl Bel-Argus

#667 Bel-Argus – a complex royal blue chrome/metallic shade with a distinct purple/indigo colour shift. The formula is much more forgiving – both in terms of application re: any visible brush strokes, as well as dry time – than Azuré. Absolutely breathtaking to look at with intricately swirling cobalt depths give Bel-Argus a unique tone, making it almost luminous, in fact. Bonus: non-staining upon removal. Coats applied: 2, plus top coat

 

CHANEL Bel-Argus swatch

CHANEL – #667 Bel-Argus

CHANEL Bel-Argus swatch 2

CHANEL – #667 Bel-Argus

CHANEL Bel-Argus swatch 3

CHANEL – #667 Bel-Argus

CHANEL Bel-Argus vs CG Want My Bawdy swatch

  • Middle & ring: CHANEL – #667 Bel-Argus
  • index & pinkie: Chine Glaze ‘Want My Bawdy’ (reviewed here) – thinner & sheerer formula, shimmer larger & more visible, purple-leaning – 2 coats

 

Last word: I couldn’t be happier with this trio of colours CHANEL chose to release for their Summer 2013 Collection – vibrant, almost thrumming with life & beauty, they are as gorgeous to wear, as to look at. I thought at first that ‘Lilis’ might be have a duplicate in my extensive personal CHANEL collection, but I couldn’t find any with the same tone and/or vibrance. It goes without saying that both ‘Bel-Argus’ and ‘Azuré’ are completely unique for CHANEL – and even amongst the comparisons I showed – and certainly worth picking up as well. My favourites? ALL. And just as fleeting as butterflies, that’s how quickly this collection will disappear, I’m giving you fair warning … run, don’t walk, to stake your claim on any of these lovelies.

I picked these up from The Bay (Canada).

 

CHANEL Summer 2013 Le Vernis closer

Essie – Resort 2013 Collection

Essie Resort 2013 Collection opener

 

If Essie’s goal is to help banish the winter blahs, then I’d say they’re off to a great start with their Resort 2013 Collection of these four happy & colour saturated hues. With a mix of crème and jelly finishes, as well as a nice selection of brights and/or aquatic tones, these four shades manage to perfectly capture the essence of the warmer weather to come .. which couldn’t be soon enough for me.


Essie Resort 2013 Collection

Essie – Resort 2013 Collection

 

Under Where – (get it? “underwear”? yes…totally cheesy of me …) a bright lilac hue with pink undertones in a jelly-esque formula, that gives surprisingly good coverage even by the first coat – totally self-levelling and highly glossy at the finish. Coats applied: 2, plus top coat


Essie Under Where swatch

Essie – Under Where


Essie Under Where swatch 2

Essie – Under Where


Essie Under Where vs Nice is Nice swatch

Positive that I had at least 1 shade in my collection that would be a near duplicate to ‘Under Where’, I was pleasantly surprised to note that I actually had nothing even remotely like it; I opted to compare it to ‘Nice is Nice’ (reviewed here), although the differences are glaringly obvious.

  • index & pinkie fingers: ‘Nice is Nice’ (2 coats) – thinner flow, hybrid crème-jelly formula, lavender toned and more blue based, several degrees lighter overall
  • middle & ring fingers: ‘Under Where’

 

First Timer – vivid aqua green crème hue with yellowish undertones, in a thicker formula that applied a touch patchy with the first coat, but levelled off completely by the second, becoming fully opaque. Highly colour saturated and almost bordering on neon, there was absolutely no staining upon removal. Coats applied: 2, plus top coat


Essie First Timer swatch

Essie – First Timer


Essie First Timer swatch 2

Essie – First Timer


Essie First Timer vs Turquoise & Caicos swatch

While I own basically every green shade that Essie has produced, the only one that came even remotely close was ‘Turquoise & Caicos’, although even that’s a stretch, as can be seen by the swatches.

  • index & pinkie fingers: ‘Turquoise & Caicos’ (3 coats) – more muted in tone, blue leaning, sheerer formula and a significantly thinner flow
  • middle & ring fingers: ‘First Timer’

 

Come Here – electric coral/poppy hue with hot pink undertones – just shy of looking fully neon, in an ultra-pigmented formula that can almost pass as a 1-coater. Perfectly self levelling in application, it bears a nice shine at the finish, although not super glossy. Bonus: non-staining upon removal. Coats applied: 2, plus top coat


Essie Come Here swatch

Essie – Come Here


Essie Comer Here swatch 2

Essie – Come Here


Essie Comer Here & comps swatch

I easily found 3 shades in my Essie collection that seemed at first glance to be clones of ‘Come Here’, but I opted to compare it to the 2 closest: ‘Olé Caliente’ (reviewed here), and ‘Flirt’.

  • index finger: ‘Olé Caliente’ (2 coats) – sheerer, hybrid crème-jelly formula, a hair lighter & just a touch less vivid in tone
  • middle & pinkie fingers: ‘Come Here’
  • ring finger: ‘Flirt’ (2 coats) – fully pigmented, similar formula although a touch more red/orange leaning, glossiest natural finish

 

In The Cab-Ana – vibrant Robin’s Egg Blue shade in a crème formula, highly colour saturated, completely self-levelling and with a beautifully glossy finish. Bonus: non-staining upon removal. Coats applied: 2, plus top coat


Essie In The Cab-Ana swatch

Essie – In The Cab-Ana


Essie In The Cab-Ana swatch 2

Essie – In The Cab-Ana


Essie In The Cab-Ana vs Where's My Chauffeur swatch

I was convinced that ‘In The Cab-Ana’ was an exact match to ‘Where’s My Chauffeur’ (reviewed here), but swatching the two proved otherwise.

  • index & pinkie fingers: ‘Where’s My Chauffeur’ (2 coats) – thinner & slightly sheerer formula, more of a “Tiffany Blue” and bearing greenish undertones
  • middle & ring fingers: ‘In The Cab-Ana’

 

Final thoughts: I confess to being a bit disappointed when I first beheld these shades, as at first glance none of them seemed that original colour-wise to me. I was also positive that with an Essie collection as extensive as mine, I would own several near-copies of each hue presented, but ‘Come Here’ was the only shade that has a twin (or triplet, in this case). I don’t wear lilac & lavender shades often, but I must admit that ‘Under Where’ is a shade that will suit all skin tones, while ‘First Timer’ is a great way to wear a bright green without coming off as too “Crayola”. My favourite of them all, is hands down ‘In The Cab-Ana’ (that name … *resigned sigh*), and if you missed out on ‘Where’s My Chauffeur’, you definitely need to pick this up. So yeah, no news-breaking colours, but a well-executed little collection, with formulas that are all a pleasure to apply!

The Essie Resort 2013 Collection will be available early April.


Essie Resort 2013 Collection closer

 

 

 

*Disclosure: Product samples provided by the company/PR for my unbiased consideration