Charlotte Tilbury | Goddess Skin Clay Mask

CT Goddess Skin Clay Mask opener

I’ve always wanted to have ‘goddess skin’ (who wouldn’t?), and after hearing all the hype surrounding Charlotte Tilbury’s Goddess Skin Clay Mask, (CAN $80.00) coupled with my intense addiction fascination with skin care, I was thrilled to receive a tube to try for myself, but I confess to being somewhat wary that it could actually deliver on all the almost superhuman-like claims. Well, let me settle that right here and now: it does.

If you have ever suffered from combination or oily skin, then like me you’ve probably used your fair share of clay mask products over the years – with little to show for it, other than skin that feels drier than the Sahara desert once the mask was removed. Forget all that nonsense, because this Goddess Skin Clay Mask not only aims to purify and help shrink the look of pores, but leaves a hydrated feeling behind as well. Sounds contradictory and too good to be true? Yeah, that’s what I thought as well … until I put it to the test (PS: now I want a full-body version of this mask).

Housed in a classically simple, yet elegant pale rose tube bearing Charlotte Tilbury’s signature rose-gold accents (via the cap and lettering), this mask was inspired by an ancient Mediterranean recipe that combines Spanish clay and Sweet Almond Oil (being raised on Ibiza, Charlotte fondly remembers “rubbing the clay all over our bodies and then rubbing Sweet Almond Oil on top – it’s an old Ibizan beauty remedy”). Also included in the formula is rosehip seed oil to help further nourish the skin, as well as her patented BioNymph Peptide Complex (also found in her Magic Cream and Wonderglow products) to help boost collagen in the skin (I’m not so sure about this since I’m not a chemist, but I’d swear my skin looks a little ‘plumper’ since I’ve been using this mask on the regular). There is fragrance as well in the formula; a heady, intoxicating scent of frangipani (and a far cry from the noxious odours found in typical clay masks of the past), which instantly transports you to some exotic island locale at first sniff, but still worth noting for those with sensitivities.

I initially experienced some confusion regarding the application method; the packaging directions say to apply a ‘thin’ layer and then leave it on for 10 minutes – which I did the first time I tried this mask, and while the results were good, I wasn’t blown away. Then I did a little research, and found a whole other set of instructions given by Charlotte herself on her Youtube channel; she advocates a ‘thick’ layer which is actually ‘massaged’ into the skin, then left on for at least 20 minutes – to be subsequently removed with a hot facecloth, followed by a second pass with a cool washcloth to further tighten the look of pores. This second method yields SPECTACULAR results: my skin looks even, fresh, totally radiant, and literally baby-soft to the touch. Sort of like … goddess skin.


Birth of Venus Botticelli

Some serious goddess skin: The Birth of Venus, Sandro Botticelli (created c. 1482-1485)

CT Goddess Skin Clay Mask

Charlotte Tilbury | Goddess Skin Clay Mask

CT Goddess Skin Clay Mask 2


CT Goddess Skin Clay Mask swatch

Charlotte Tilbury | Goddess Skin Clay Mask swatch (so NOT my best look!)


Charlotte Tilbury | Goddess Skin Clay Mask (detail)

Ingredients: Water (Aqua/Eau), Stearic Acid, Glycerin, Prunus Amygdalus Dulcis (sweet almond) oil, Kaolin, Titanium Dioxide (CI 77891), Glyceryl Stearate, Triethanolamine, Nicotiana Sylvestris Leaf Cell Culture, Rosa Canina Fruit Oil, Plumeria Rubra Flower Extract, Helianthus Annuus (sunflower) Seed oil, Phenoxyethanol, Ethylhexylglycerin, Chlorphenesin, Disodium EDTA, PEG-8, Tocopherol, Ascorbyl Palmitate, Ascorbic Acid, Citric Acid, Parfum (fragrance), Hexy Cinnamal, Benzyl Benzoate, Linalool, Hydroxycitronellal, Cinnamyl Alcohol, Eugenol, Iron Oxides (CI 77491, CI 77492, CI 77499)


I absolutely refuse to ever be without my Goddess Skin Clay Mask again and even though the CAN $80.00 price tag makes me wince, especially when I factor in the amount needed per application coupled with desired frequency (I’d use it daily, if I could), the way my skin both looks and feels ever since I’ve incorporated this little treasure into my skincare/beauty routine as well as how amazing my makeup now looks upon such a smooth canvas, is worth every.single.penny. Bottom line: I cannot recommend this mask strongly enough.

Available in Canada exclusively through Holt Renfrew at the Toronto Bloor St. and Vancouver locations only (for now), or through


Press sample kindly provided for my unbiased consideration/post may contain affiliate links

6 Responses to Charlotte Tilbury | Goddess Skin Clay Mask

  1. Helena says:

    Did you put it on your lips as well?? I’ve never seen a clay mask applied there before!

  2. Maureen says:

    I love the comfort factor of a good mask, but this product isn’t for my super sensitive skin. I wish Holt’s had online shopping so women could access exclusive products. I want to try Charlotte’s lip products.

    • Eugenia says:

      I agree about Holt’s – they seriously need to update and upgrade their online site to include shopping. We don’t all live near the locations that have these exclusives, and it would be nice to access them as well!

  3. Rochelle Rotenberg says:

    I don’t understand why the packaging has one set of instruction, but Charlotte Tilbury recommends the product with a whole different set of instructions. Amazing, that her set of instructions uses much much more product, and uses it up much faster.

    • Eugenia says:

      I’m not sure why the two differ as well; either it’s a marketing strategy or someone screwed up. And while you can still follow the packaging directs and obtain decent results, Charlotte’s method yields even better results, but yes … it does use up more product. Not like half a tube more or anything ridiculous like that, but still more than what the package says.

What are your thoughts, beautiful?

This site uses Akismet to reduce spam. Learn how your comment data is processed.