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Monthly Archives: July 2011
CHANEL Fall 2011 – Le Vernis #529 Graphite, #531 Peridot and #525 Quartz (swatches & review)
When the first whispers and images began circulating about CHANEL’s new Fall shades, I was intrigued. Then, when I showed a sneak peek of the shades this past May (here), I began anticipating. As the collection’s launch date approached, I could not wait to finally bring these beauties home, and I present them to you here…in all their autumnal majesty! These are not only complex shades colour-wise, but deserve to be viewed from every angle possible for a true appreciation of all their intricate nuances – hence the more than usual amount of photos. All swatches are with Seche Base Ridge Filling Base Coat, three coats of lacquer and a-england ‘The Shield’ top coat (reviewed here).
Flake Graphite from Madagascar, is a soft carbon and has been used for centuries as a writing material, most recently in pencils, and it has also been formed into a lubricant in applications where oil cannot be employed. Note how well CHANEL’s version so perfectly captures this hauntingly beautiful mineral.
Perfectly mimicking the mineral for which it is named, ‘Graphite’ is as close to a glitter polish as CHANEL will allow. Ultra fine micro-glitter in silver and tarnished gold, give the silvery-grey base of this lacquer such incredible depth, but the sophisticated bling factor is what steals the show here. The formula was new to me, as far as CHANEL varnishes go. Almost jelly-like, it is strangely thick but still applies exceptionally well, will not run so you can take your time applying it and ends with a decent enough shine, as well as a rather quick dry time.
I absolutely love the almost ombré-like effect that full sunlight gives this shade, with the tips and edges slightly darkened and bits of ultra fine glitter winking out here and there.
This photo taken with flash in full sunlight, gives you a better idea of the dazzling glimmer effect of the overall shade.
Seen here in closeup, the light seems to pick out more of the golden flakes swirling deep within this shade, and lends ‘Graphite’ a more oxidized tone.
The same view, but this time with flash, highlights ‘Graphite’s’ more silvery side, and emphasizes a more foil-like air.
Shaded light completely alters ‘Graphite’s’ nature and gives it a cooler, more burnished looking steely grey appearance.
Changing position slightly, this shaded view now seems to lend this shade a more old-gold feel, with a smudge of carbon thrown in.
Once more, a shaded light view but this time with flash, brings out every nuance of ‘Graphite’, from the charcoal bits, the golden flecks and the almost silvery sequin overlay of shine.
It is with full-on flash, that you see the more bewitching side of ‘Graphite’, looking like a glimmering deep grey, with the gold interspersed throughout to give it such evening drama.
Peridot, the birthstone for those born in the month of August, is a rather abundant mineral, but gem quality pieces like the one pictured above, are more rare and thus labelled “precious minerals”. Usually an olive green tone, the amount of iron in Peridot will determine its colour and can include shades of yellow, brown and green, with a deep olive-green being the most valued. CHANEL’s ‘Peridot’ bears an uncanny resemblance to the mineral, with its deep golden-olive base and greenish flashes.
*Sarah, this one’s for you!
The photo above, taken with flash focuses on the more golden nature of ‘Peridot’, but looking closely at the sides of the bottle, you see hints of the green-blue iridescence it holds. The formula on this was surprising, feeling almost chalky yet still flowing well, but the slight frosty finish had me worried as I initially saw some streaking, that mostly levelled out. As the finish is somewhat pearly, a top coat is mandatory to bring out its myriad tones.
This view of ‘Peridot’ taken without flash, truly captures not only every hue this shade encompasses, but the very nature of the mineral itself.
Interestingly, this view taken in full sun seems to almost bring about a duality to this shade; note how my index and middle fingers appear to wear a”green with golden glimmer” shade, while my ring and pinkie fingers seem to wear the reverse, looking more “gold with green glimmer”…like mood polish!
I absolutely love this closeup view, which highlights the almost “beetle-wing” effect of all the combined colours, and even hints at the blue tints in ‘Peridot’s’ base shade. Have you ever seen anything like it?!
Once more, I bring you two views of ‘Peridot’ in shaded light, with this first angle showing how the green flashes outline the edges of the nail, adding to the complexity.
In this second view taken in shaded light, the green glints are still there, but in a more subdued format, letting ‘Peridot’s’ golden side take center stage instead.
A view taken with flash, gives an rather eery feel to this shade, but it also serves to bring out a deep bronze tone, that looks so sophisticated and rich.
Smoky Quartz, pictured above, is a silicon dioxide crystal. This particular type is also known as “Cairngorm”, named after the Cairngorm Mountains of Scotland and also happens to be that country’s national stone. In certain practices, smoky quartz is known as having grounding and calming influences, and was also long the sacred stone of the druids. I am so thrilled that CHANEL managed to so expertly capture the subtle yet utterly chic tones of this mineral.
If you look closely at this bottle of ‘Quartz’, you will see swirling within its base, micro-flecks of green and pink that took me completely by surprise. Expecting this polish to be somewhat ‘grandma’, I was blown away by its understated elegance once worn, with a formula that was superior to the other two shades here. While the base shade seems to be taupe, there is enough grey added in to take this hue to such a sophisticated level with the added bonus of a wonderfully shiny finish.
Sunlight seems to add to the intriguing mix of hues in ‘Quartz’, lending it a slivery cast and the perfect combination of cool and warm tones.
In this closeup view, you can clearly make out the specks of green and pink, which are such an unexpectedly modern touch to this shade, taking it from ordinary to extraordinary.
As with the other shades, this first view taken in shaded light gives ‘Quartz’ a decidedly cooler vibe and brings out its more taupe-y side.
This angle, again in shaded light, gives not only a slightly golden aura to this shade, but turns into a much more warmer based hue.
Finally, seen with full flash, the micro-specks make this polish come dancingly alive and give an overall edgier feel to this shade.
Final thoughts: This trio of Fall CHANEL lacquers, is absolutely stellar, with three differing yet complimentary shades that offer something for everyone. With the exception of ‘Graphite’ which was fairly opaque at two coats, the other two shades benefitted from a third coat as I feel it only enhanced their beauty, but then again, I like to apply rather thin coats. I did not expect the almost suspension-like formula of ‘Graphite’, nor the satin/pearly finish of ‘Peridot’, but my biggest surprised was ‘Quartz’ – the sleeper hit of this collection, in my humble opinion. I almost wish that ‘Peridot’ was a few shades deeper to add even more visual appeal, but it’s still by far one of the most intriguingly unique shades out there. The intense shimmery effect of ‘Graphite’ needs to be experienced to be understood, as I’ve never seen a non-glitter heavy polish do that before. Lastly, ‘Quartz’ is not your grandmother’s neutral, but the most urban-cool taupe I’ve seen to date. This collection is already available online as well as at counters in the US, and will be available in Canada as of August.
*Graphite image courtesy of Geology
*Peridot image courtesy of Mineral Atlas
*Smoky Quartz image courtesy of Mystik Spirit
NARS – ‘Koh Lanta’ Nordstrom Exclusive (swatches & review)
For this year’s Nordstrom Anniversary Sale, NARS released an eyeshadow palette, as well as three nail lacquer shades exclusive to the department store, but the only one that caught & held my eye was ‘Koh Lanta’ – an intense aubergine crème hue. François Nars, the creative force and founder of NARS Cosmetics, is continually inspired by his travels and frequently he will create products with hues that transport him to a beloved region. Koh Lanta, the place, is a 26 km long island off the coast of Thailand, well off the beaten path, and boasts not only idyllic vistas, but absolutely glorious sunsets, which I feel has been perfectly captured in this shade. All swatches are with Seche Base Ridge Filling Base Coat and three thin coats of lacquer. Revlon Top Speed Top Coat was only added to the last three swatch photos.
In this view of a spectacular sunset over a beach in Koh Lanta, I can see how the purple colour limning the sky could very well have been the inspiration behind this varnish. I can almost hear the sound of the water gently lapping at the shore……sigh……
As this is a rather dark shade, capturing its true essence eluded me photographically, however you can see its blueish based purple colour along the bottle’s edges. Surprisingly for such a deep hue, it wasn’t as opaque as I thought it would be, and had I applied two thicker coats versus three thin ones, I may possibly have achieved a similar finish.
How amazing is it, when you get a polish that finishes this shiny, without the addition of top coat? Seen here in full sun, ‘Koh Lanta’ takes on a more raisin hue and it seems like the purple cast was left in the bottle. Nevertheless, I love the elegant vampiness of this shade just the same.
Seeming rather chameleon-like, shaded light now seems to draw out a reddish-plum tint in this lacquer, but it also fully emphasizes the incredibly glossiness of this hue.
Even though I was disappointed that I couldn’t fully capture the deep purple leanings of ‘Koh Lanta’, this view taken with flash shows how this shade is not just another blackened berry colour, but the deepest, truest burgundy I’ve ever come across.
With the addition of top coat, ‘Koh Lanta’ takes high-gloss finish to a whole new level. Something about a “wet” looking finish, especially on a dark shade, just seems to work for me.
Shaded light, while lending a more cooler tone to this polish, is also the perfect backdrop with which to showcase its mirror-like finish and lend a screen siren sultriness to the overall shade.
Finally, in this last shot taken with flash, I get my first hints of the purple duality of this shade, but just barely. Still, I love everything about this lacquer and it will definitely compliment every skin tone across the spectrum.
In honour of the island that played muse to the shade, I just had to show you what it was that inspired Monsieur Nars to bring his vision of ‘Koh Lanta’ to life. Seeming at once tranquil and almost primitively fierce, this is truly raw beauty in its natural state.
Final thoughts: NARS’s ‘Koh Lanta’ has the elegant sophistication of a deep wine hue, with some gothic edginess mixed in to keep things interesting. The formula was excellent, flowing rather thin but still providing great coverage. The rubberized square bottle cap, makes it grip-friendly and the brush is small and flexible enough to fan out perfectly across your nail. The glossiness is mesmerizing and even dry time was fairly quick. Another bonus was that it was completely non-staining and removal was solidly mess-free. The downside is that this is a shade exclusive to Nordstrom and may therefore be a touch difficult to track down. Still, as far as deep, sensuous wine shades are concerned, NARS’s ‘Koh Lanta’ is a stunning vision, without the cost of an island getaway!
*Sunset over Koh Lanta image courtesy of Viewing This World
*Island view image courtesy of Hybiscus Kiss
*Boat image courtesy of Koh Lanta Diving
Deborah Lippmann Fall 2011 – ‘Billionaire’ (swatches & review)
When I originally wrote about Deborah Lippmann’s upcoming Fall 2011 shades (here), my heart beat faster, as the colours shown not only perfectly exemplified everything that is Autumn, but looked to be right up my alley. Today I bring you ‘Billionaire’, a deep, dark, and mysterious green shade that must be what liquid money must look like, when draped across your nails. All swatches are with Seche Base Ridge Filling Base Coat, three very thin coats of lacquer, and Revlon Top Speed Top Coat (NOTE: top coat was added only for the last three swatch photos)
Once I applied ‘Billionaire’, I stopped right before adding a top coat, as I couldn’t believe the exceptionally glossy finish! Sunlight is the best way to view the intense forest green of this shade and how decadently creamy the overall finish looks.
Shaded light adds a more blackened look to this shade, but there’s still no mistaking that this is deepest green done at its most elegant best.
By taking a shot using flash, I exposed a slightly more yellow base in this hue, all the while emphasizing its murky green leanings.
When I added a layer of top coat, it not only amplified the super-gloss finish of ‘Billionaire’, but seemed to also lend it a plumper, slightly pillowy air.
Seen in shaded light with the layer of top coat, not only enhanced the glistening blackened green that is ‘Billionaire’, but gave the overall finish the look of wet patent leather…insane!
Finally, a shot of ‘Billionaire’ taken with flash (and top coat), completely blew me away with its luxuriously verdant green hue, a paradox of dusty and glossy at the same time.
One more view of the bottle shade, which clearly shows off this absolutely gorgeous brooding dark green.
I don’t think I’ve ever come across a shade that was inspired by currency before….see the perfect parallel between US greenbacks and ‘Billionaire’?!
Final thoughts: Deborah Lippmann, an accomplished musician herself as well as the go-to manicurist of celebrities and major fashion designers, definitely knows her lacquer – not to mention, trends. For Fall 2011, she brings us back to basics with Autumnally inspired shades like ‘Billionaire’, bringing to mind a forest of stately, deep green pine trees. The formula was superb; flowing with such ease that it makes application basically goof-proof. The wand length is perfect and the brush has just enough flexibility, that you can reach your nail edges with acute precision. The mirror-like finish….well, the photos speak for themselves! If you’re looking to try the most unique dark shade without delving into black, then you can’t beat ‘Billionaire’…for once, wealth can be literally at your fingertips!
I leave you with a video, the title of which inspired Deborah Lippmann to create this fabulous lacquer…enjoy!
*Currency photo courtesy of 123RF
*Billionaire video courtesy of Youtube
Butter London – ‘Wallis’ (swatches & review)
First seen as a Nordstrom exclusive and soon to be released as part of Butter London’s Fall 2011 collection, ‘Wallis’ just begged to be mine. An intriguing mix of olive green, tarnished gold and hints of black, this is like draping aged brocade upon your nails. Named for Wallis Simpson, the American socialite that King Edward VIII gave up the throne for, I couldn’t understand how a shade like this could represent this historic woman…and then it came to me; while the golden flakes swirling throughout obviously give a nod to royalty, the murkiness of the overall hue is symbolic of the strife this union almost caused in the UK, and thus so absolutely colour appropriate. All swatches are with Seche Base Ridge Filling Base Coat, 2 coats of lacquer and Revlon Quick Dry Top Coat.
Wallis Simpson (June 19, 1896 – April 24, 1986) seen here in a photo taken in 1931, almost caused the biggest scandal in Great Britain’s history. Having been married twice before, and purportedly Edward VIII’s mistress prior to divorcing her second husband, the then-King Edward VIII abdicated the throne for her, throwing the British monarchy in upheaval. They were eventually given the titles of the Duke and Duchess of Windsor (by his brother George VI) and lived out the rest of their lives socializing. After Edward’s death in 1972, Wallis retreated into a life of privacy and seclusion, and not much is known about her last few years, even to this day. Now…on to the glory of ‘Wallis’, the nail lacquer!
In this first view taken in full sun, the angle of light perfectly captures all the nuances that go into a colour as complex as this one: golden, olive, hints of black, and even some fine pink and green shimmer thrown in for added depth.
This second view taken again in full sun, shows off a more light-hearted feel to the overall shade, emphasizing the golden glow it gives off, with the olive base playing a perfect counterpart.
While the next two photos may seem similar, enlarging them will show you how in the shot above, the light once again plays with the yellow hints of this lacquer, lending an overall brassy hue to the finish.
This closeup shot emphasizes the darker side of ‘Wallis’, by making the golden/bronze flakes the focus, and giving a deeper cast to this colour.
I absolutely love how shaded light lends a seething, almost feral look to this shade, at once understated and yet almost vibrantly alive.
Something about this view, once more taken in shaded light, reminded me of “Tiger’s Eye”; I love how all the swirling colours come together to give a unique topaz look to this polish.
Final thoughts: I am so totally thrilled and impressed with this lacquer, on so many levels; first of all, the colour is truly unique and while I have seen a few close relatives of this shade, the combination of hues in ‘Wallis’ still makes it stand apart. Secondly, the application was absolutely sublime; I almost had full opacity with the first coat, and yet the formula wasn’t thick like you’d expect, but so free-flowing, it almost applied itself. Removing the outer cap, the inner ridged cap makes it easy to hold, with a slightly rigid brush that nonetheless fans out beautifully on the nail. Dry time was super quick and even before I added a top coat (for photo purposes), the gloss at the finish was practically mirror-like. Like the Duchess herself, Butter London’s ‘Wallis’ is an exotic, yet somewhat reclusive shade…perfect for us modern socialites! It is available exclusively at Nordstrom (for now), and retails for US $14.00/ o.4 oz size.
The above photo is of the Duke and Duchess of Windsor, Edward and Wallis, taken after their marriage in 1937.
*Photos of Wallis Simpson and Edward VIII courtesy of Betty Swallow
















































































