Filed In: Lip Gloss

Tarte · Pretty Paintbox Collector’s Makeup Case, Holiday 2016

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For Holidays 2016, Tarte has released the limited edition Paint Box Collector’s Makeup Case, filled with 24 tarteist™ eyeshadows, 4 tarteist™ cheek products, a full-sized so fine micro liner in black, a deluxe-sized tarteist™ lash paint mascara in black, and a tarteist™ glossy lip paint in obvi — all housed in a pucci-esque fabric case with gold accents.

The holiday period usually sees more than its share of palettes being launched by practically everyone and while in the past I have tended to pass on anything too “all-in-one”, it appears like brands have really stepped up their game in this department by releasing well-curated collections that not only have visual appeal (I mean, just look at the outer packaging here) but that are good performers as well. Case in point is the palette showcased today — which would also make for a pretty impressive Christmas gift, by the way #hinthint

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Pretty Paintbox Collector’s Makeup Case, limited edition (US $59.00)

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Created with mineral pigments for an ultra-soft application and smooth feel along with Amazonian clay for long-lasting wear, these eyeshadows come in a broad mix of matte, lustre, satin, and metallic finishes with catchy art-inspired names. Upon opening the case, I confess to staring in admiration at the array presented, as all sit totally in my comfort zone of neutrals. Swatching these eyeshadows revealed another surprise: with the exception of a few, all show good pigmentation (obviously the deeper hues have a stronger colour payoff) and blend effortlessly. Despite some powdery kickback on certain shades, none result in fall-down and when worn over primer, they stay true until removed. I’ve opted to divide them by vertical rows (starting from the left) for the swatches below:
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Row 1

  • glitter glue – pearly white with shimmer
  • waterlilies – bone, matte
  • pearl earring – oyster, satin shimmer
  • fresco – nude, matte
  • porcelain Dali – pink/nude, matte
  • pastel – nude rose, matte

Row 2

  • nudes – champagne, matte
  • van Gogh with it – milk chocolate, matte
  • frameworthy – soft camel, matte
  • hearts & crafts – light pink/tan, matte
  • monochrome – pearlized light taupe
  • I Louvre it – dusty mauve, matte

Row 3

  • bronze casting – light bronze, shimmer
  • metal work – copper, shimmer
  • first impressionism – blackened teal, shimmer
  • selfie portrait – champagne taupe, shimmer
  • hot MoMA – cranberry, shimmer
  • get surreal – lilac, multi-tonal shimmer

Row 4

  • silhouette – black, matte
  • charcoal sketch – deep brown, matte
  • starry night – blackened navy, matte
  • one too Manet – rich brown, shimmer
  • stained glass – berry, matte
  • still life – eggplant, matte

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The covered compartment across from the eyeshadows holds a black liner, black mascara and a neutral lip gloss. The so fine micro liner in black has an ultra-fine tapered felt tip for precision work, although you can also create a thicker line by using it more along its width. The waterproof formula does dry relatively quickly, so I suggest working on one eye at a time. The tarteist™ lash paint mascara in black has a full head of bristles with a good sized width, making it easy to use on both upper & lower lashes. Not the most volumizing formula I’ve tried, but I do like how the brush grabs each lash to coat it well. As nude lippie shades are what I usually turn to, I’m really liking how this tarteist™ glossy lip paint in obvi has hints of rose in it to keep it from appearing flat, coupled with a good pigmentation which provide decent coverage — a feat not always easy to accomplish in a shade this light.

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The cheek/face portion of this palette is really, really pretty — both visually, and applied. With one blush, two bronzers and a highlighter, all shades do lean more on the warm side but as the pigmentation isn’t too strong, they can still be made to work on those with fair/cooler complexions.

  • moment – peach blush, satin finish
  • authentic – champagne highlighter
  • unique – warm tan bronzer, lustre finish
  • provocative – taupe/tan bronzer, matte finish

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I have to say that all the colours in this palette are totally up my alley, and that includes both the face and eye shades. To sum up, the eyeshadows performed well enough, although some definitely blew me away while others could have used a bit more work. Surprisingly the lip gloss had more pigmentation than I expected (a good thing), while the face products appear to fall much lighter than what’s seen in the pan, but can also easily be built up for more intensity. Overall, the Pretty Paintbox has a well thought-out colour selection and would make that budding beautista on your list very happy indeed. Bonus point scored for this awesome outer print (love anything Pucci-looking).

Available exclusively at Sephora

PR Sample/As always, all opinions are my own

MAKE UP FOR EVER · Lip Fever – Explosive Orange Lip Collection & Excessive Lash Mascara

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A range originally created by a makeup artist Dany Sanz for the industry, MAKE UP FOR EVER has gone on to carve a name for itself as producing some of the most innovative and pigment-rich products available today. Following along in the success of their last Pink Fever Lip Collection (previously reviewed), the latest in the series is the Explosive Orange Lip Collection, which is built around an orange theme (duh, lol) and offers choices from this vibrant shade that everyone can easily wear; if a neutral-lover like myself can fall for these hues, then anyone can. Also new from the brand is Excessive Lash Mascara and being somewhat obsessed with lashes, I’m so happy to say the name definitely fits the bill.

For all previous reviews on this brand, click this MAKE UP FOR EVER tag

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Sensual Coral Artist Lip Balm (CAN $25.00) | A stick-format lip balm with an ultra-soft texture and semi-sheer colour payoff. Providing a light touch of colour as well as a hydrating feel to lips, the convenient twist-up style of this pencil makes it not only portable but a perfect swipe-and-go type of product.

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Flammable Tangerine Artist Lip Blush (CAN $25.00) | A matte lip shade in a deep orange hue in a twist-up jumbo pencil format. The texture upon application is super smooth which makes for an effortless glide along the lips, while the long-lasting formula will be there for the duration, leaving a stain behind when the majority of colour finally fades.

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Juiced Up Pumpkin Artist Acrylip (CAN $29.00) | I don’t even know where to begin with this; incredible colour saturation from the first swipe, this is more like a liquid lip shade but in mega-concentrated form. The flocked applicator makes it easy to reach all areas of the lips, while the colour deposited goes on über-smoothly and leaves a vinyl-like gloss behind. Super long wearing.

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MAKE UP FOR EVER · Lip Fever – Explosive Orange Collection swatches

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Excessive Lash Arresting Volume Mascara (CAN $31.00) | A deep-black volumizing mascara with a small brush designed by makeup artists to specifically reach and coat every lash. The buildable formula goes on easily and stays clump and smudge-free throughout the wearing, while the brush not only defines each lash but helps in adding a nice lift as well.

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Orange is definitely the LAST shade I would ever reach for so when this lippie collection arrived, to say there was much eye-rolling on my part wouldn’t exactly be a lie. So imagine my utter surprise at finding out that I actually really liked the way each of these lippies looks [on me] – especially the crazy vivid Artist Acrylip … who would have thought?As to mascaras, I’m the first to admit that my standards are high and this is the first mascara from this brand that I’m truly loving, giving me the full & lush fringe I prefer, lasts intact throughout the wearing, and removes easy-peasy at the end of the day. The only warning here is that while the mascara is permanent, do be advised that the lip products are all limited edition. I know, I know.

Available at Sephora

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PR samples/As always, all opinions are my own

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NARS x Sarah Moon Collection Holiday 2016, Gift Sets pt. 1

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You’ve got to hand it to NARS for not only creating this truly lovely — not to mention totally wearable — Sarah Moon x NARS Holiday 2016 Collection, but for throwing in so many interesting gift sets as well. With dreamy packaging details (zero chintzy cardboard throwaways, thank you very much) each set offers up interesting product combinations, some with generously sized minis of the brand’s cult-fave pieces, and all at relatively decent price points.

 

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Pat McGrath Labs · Lust 004

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It’s almost as though anything Pat McGrath creates is destined to create a worldwide beauty frenzy. Take for example her latest release, Lust 004 — 6 matte lippie shades that come with matching glitter plus a clear gloss — that literally broke & crashed the internet within seconds of going on sale. I know, because I was one of the frustrated many who couldn’t access any of the products that day. But here’s where my story takes a few unexpected twists; grab a cup of something and read on because you won’t want to miss this …

Two days after the Pat McGrath site crashed, it was finally up & running again and even though I was on it in a heartbeat, the Everything Kit I wanted was completely sold out. So what’s a beauty addict to do? Well, I had no choice (right?) but to order each kit individually, even if it was an additional CAN $30.00. Sigh.

About a week later, the products arrived but not without a couple of not-so-welcome surprises; for starters, I had to pay an additional CAN $67.00 in duties (insert stare of disbelief here) AND two packages arrived instead of one, which I then had to spend an additional 30 minutes explaining to the courier that it was a duplicate package sent in error and that it was to be returned (and yes, there was a duty charge on that too, which I fortunately didn’t have to pay as I refused to accept it). Next, after excitedly opening everything up, taking all my photos, and then swatching the entire enchilada, I realized that the Flesh Kit (which came sealed in its own separate package, mind you) held two Flesh 1 pencils instead of both Flesh 1 & Flesh 2. Oy — and the nightmare continued.

I immediately contacted Pat McGrath’s customer service and explained the situation; imagine my surprise when a couple of days later, they not only responded but apologized for the error and told me they would send the missing shade. Soooooo….fast-forward a few more days, and another package arrived (by the way, I was advised ahead of time what the duty charges were and I was even credited in advance from Pat McGrath Labs — points scored for that) and when it finally came, imagine the look on my face when I opened it up … and found the Bloodwine Kit (Blood 1 & Blood 2) instead of the Flesh 2 shade I was expecting. Seriously?

I immediately contacted the customer service department again and within a couple of days I received another reply; once more, they apologized for the mix-up and to make up for all the inconvenience, want to know what they did? I’ll tell you: they not only credited my card with the full amount of my original order, but told me to keep this secondary set AND finally sent along the missing Flesh 2 shade (with no duty incurred, thank you). So at the end of the day, it all turned out well and I was really happy to see that they were not only willing to stand behind their products, but went out of their way to ensure that this customer was happy. Way to redeem yourselves, Pat McGrath Labs.

*Note that in the photo below, Flesh 1 is shown twice as I hadn’t realized it was duplicated when I began swatching everything, and obviously I was too lazy to do them all over again.

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Pat McGrath Labs · Lust 004

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Pat McGrath Labs · Lust 004

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As I stated in my mini-novella above, I initially had my sights on the Everything Kit, as it contained, well…everything plus it worked out a little cheaper than purchasing each kit separately, which is what I ended up doing anyway. On the plus side, I wound up with 3 tubes of the awesome Clear Vinyl Gloss (as opposed to just the one included with the Everything) and three pots of the Metallic Gold Pigment (maybe not as handy, but still…) and just knowing that all the products are first edition makes me happy, because yes … I can be silly & shallow that way. For the record, I know that the whole sequin thing is Pat’s signature by now, but honestly, the stuff gets everywhere. #sequinoverload

There are no clear and concise instructions on how to apply everything and after a bit of experimentation, I landed upon the best and easiest way to work with them. But first, a breakdown: the matte lip shades come in a black retractible pencil format that has a bevelled edge, one that will wear down quickly and eventually round out. The texture is unbelievable; ultra creamy both in application and feel, and basically glides effortlessly along the lips to deliver full opacity from the first swipe. Considering that these are matte, the finish is not of the flat light-absorbing variety, and neither does it suck out every drop of moisture from the lips, but instead feels totally comfortable throughout the wearing. Flesh 1 is the only shade that shows any patchiness and needs to be first blotted then reapplied in order to look as smooth as the rest. The gloss is thick and has megawatt shine, but without any heavy sticky feeling associated with a product this dense; I still haven’t figured out how that sorcery was accomplished. The beauty of a clear gloss such as this, is in its versatility — wear it alone or over any lipstick you desire, and it instantly boosts lips with major volume.

And now for the pièce de résistance, the glitter (or how not to get it all over EVERYTHING). Using a flat lip brush, my first attempt had me applying the glitter over my chosen lipstick which also had just a hint of gloss; my thinking was that the gloss would help bind everything together. WRONG. The gloss just made things slide around and the glitter glopped about it little bunches — so NOT the look I was going for. Going back to the drawing board, I used the same lip brush and this time applied the glitter right on top of the lipstick (no gloss) and voilà! Success! It’s actually quite easy this way and you can go as light or as heavy as you prefer; I tend to apply it to the centre of the lips, concentrating on the cupid’s bow and ensuring the entire middle portion of my lips is well covered — this method works to not only give the illusion of a more lush pout, but makes the glitter really stand out (not that it needs all that much help to begin with).

A word about the glitter; my biggest fear was that it would feel like I applied a layer of sand to my lips and that it would subsequently get all over my teeth, but in fact the texture is so refined that it seems to fuse with the lipstick and within seconds of application I totally forget it’s even there — until someone mentions it, which is something that happens non-stop, when wearing any of these combos. True story: the first time I wore a “Pat McGrath Lip” to an media preview I recently attended, my lips basically hijacked the event and we spent the entire time talking about the products. Staying power of the lipsticks is unbelievably long, even with eating and drinking (I actually put it to the test this past Saturday at a wedding where I wore the Venom 1 combo, and everything stayed relatively put almost the entire evening), and even though some of the glitter might fade (or get eaten), there’s still plenty showing through to keep the look alive.

Bonus: mixing a bit of the Metallic Gold Pigment with the gloss creates the most spectacular molten gold shade — can’t wait to try this effect with other finely ground pigments I have laying about here and see what happens.

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Pat McGrath Labs · Lust 004 Microfine Glitters & Metallic Gold Pigment

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Pat McGrath Labs · Lust 004 Clear Vinyl Gloss

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Pat McGrath Labs · Lust 004 swatches*

  • Flesh 1 – nude with a peachy undertone
  • Venom 1 – vivid scarlet
  • Venom 2 – deep wine red
  • Blood 1 – true red, blue-based
  • Blood 2 – intense burgundy

*Flesh 1 is shown twice in the swatches above, as I hadn’t realized my error at the time

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Pat McGrath Labs · Flesh 1 swatches

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Pat McGrath Labs · Flesh 1 with Flesh Microfine Glitter swatch

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Pat McGrath Labs · Venom 1 swatches

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Pat McGrath Labs · Venom 1 with Venom Microfine Glitter swatch

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Pat McGrath Labs · Venom 2 swatches

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Pat McGrath Labs · Blood 1 swatches

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Pat McGrath Labs · Blood 2 swatches

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Pat McGrath Labs · Metallic Gold Pigment & Clear Vinyl Gloss swatch

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Pat McGrath Labs · Lust 004

 

Hype is a powerful thing, and even someone as immersed in this industry as myself, is not immune (as this post proves). I don’t often purchase sight unseen but this is my second experience with a Pat McGrath Labs product (Skin Fetish 003 previously reviewed) and I felt confident enough in the quality to go ahead and order. If there’s anything I find fault with, it has to be with the packaging which is just not up to par, especially when you consider the excellent quality of the products. You’ll say at this point that it’s the product that counts, right? Well yes….and no. When you’re paying a premium price, you should get the entire deal: product & packaging. To say that by simply slapping on a printed label and not investing in more complex packaging, that the brand is therefore opting to focus on ingredients and not the exterior, would be a lie as it takes as much effort & cost to do this step than to print directly on the tube itself. So Pat, if you’re listening, take note: you need to up your packaging game to at least meet the standards of the products you’re putting out — at that point, pretty much no one will touch you.

Still showing availability at Sephora (I know, right?)

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CHANEL · Cheeks, Lips & Nails – Collection Libre de CHANEL

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To harmonize with the more somber tones of the eye products in the collection, Lucia Pica selected a vibrant and fresh palette of colours for cheeks, lips, and nails. The theme of the Collection Libre Synthetic de CHANEL is all about the play of shadow & light, texture, and mood, revisited and reimagined in unique new forms. Then there’s that explosive blush shade … you won’t want to miss out on it, believe me.

Previously reviewed from this collection:

 

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Collection Libre de CHANEL · Rianne Van Rompaey, photographed by Karim Sadli for CHANEL

 

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Joues Contraste 360 Hyperfresh, limited edition (CAN $53.00) | Acting as a counterpoint to the more industrial-like shades of the eyes, this blush is like finding a flower blooming unexpectedly in concrete. A vivid and almost neon pink (neon + CHANEL … who would have thought?), this is an über-pigmented hue that needs a very light hand to start with. Bearing the brand’s signature rose fragrance which dissipates fairly quickly once applied, the texture is incredibly refined and appears flawless when buffed lightly into the skin. There’s the lightest whisper of gold thrown in (visible in the macro shots, below) to add a nice touch of warmth, thus making Hyperfresh wearable by a broad range of skin tones. Lasting power (over foundation) is bang on, staying true & without fading until removed.

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The only shade that come close to Hyperfresh from my collection of CHANEL blushes, is 270 Vibration (from Fall 2015, which I believe may no longer be available in Canada) and while both are bright pops of colour, there are still enough differences between them with Hyperfresh leaning slightly more peony pink.

As someone who tends to stick to coral-based blush shades, I was surprised to see that I owned 2 more neon-ish shades in my stash: Starscape (LE) from the NARS Christopher Kane Collection (Spring 2015) and Se Pomponner from Surratt Beauty. Again, while both of these are almost retina-searingly bright (especially when swatched heavily as I have here), neither is a match to Hyperfresh. Starscape, while extremely close, does appear to be a couple of degrees lighter & more true pink, while Se Pomponner is more blue-based and definitely the more vivid of them all. Quality-wise, apart from the fact that all are highly colour-saturated, they also display an extremely refined texture that makes them easy to blend seamlessly into the skin (just make sure to start off with a light hand).

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CHANEL · Joues Contraste 360 Hyperfresh vs 270 Vibration swatches

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CHANEL · 360 Hyperfresh, NARS Starscape & Surratt Beauty Se Pomponner swatches

 

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There are five lip products in this collection and I have my two favourites to show you here. Playing harmony to the more urban eye shades, both hues are fresh and easily wearable, while the textures offer up a smooth application and continuous hydrating feel to lips.

Rouge Allure Gloss 137 Super Nude, limited edition (CAN $43.00) – I have a total weakness for CHANEL glosses and in particular the Rouge Allure Gloss formula. There’s a nice thickness to the texture that helps it adhere well to lips without feeling tacky, seeming to level out and even fill in lip lines as it settles in. Super Nude is a beautiful mix of both cool & warm undertones which makes it universally wearable by all (without disappearing into one’s skin tone) and probably my fave neutral to date. Staying power is about average for a shade this light, approx. 3-4 hours without eating and/or drinking.

Rouge Allure 247 Ultraberry, limited edition (CAN $43.00) – Having been revamped over a year ago, the Rouge Allure formula provides excellent colour saturation with a rich moisturizing feel. Ultraberry is one of those wine/berry shades that can be worn several ways; lightly blotted to give that “bitten” effect, or layered for more depth of tone. Do note that it will leave a light stain behind, which in itself can also be yet another cool look to this shade.

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The three nail shades of this collection (CAN $32.00/limited edition) each offer up a unique look and texture, and can even be mixed and matched (as seen in the swatches below).

542 Pink Rubber – a white based pale pink hue that has the finest pearly shimmer (seen more in direct sunlight) that applies in a self-levelling way but will probably show some patchiness with the first coat. Giving this shade a ‘rubberized’ finish takes it from dainty to something a lot more modern & unique, and also eliminates the need for using a matte top coat (I do love a matte nail). As seen in the swatches below, adding a glossy top coat (Le Gel Coat used here) gives a more classic look, while a layer of Hyperrose Glass gives a playful twist.

544 Hyperrose Glass – a semi-transparent cool pink hue with blue pearl reflects (and even some random darker pink pieces) in a super glossy jelly-like formula. Worn alone, 1 coat provides a pretty pink flush of colour while 2 coats gives a more colour depth, although don’t expect it to reach opacity any time soon. Layering Hyperrose Glass over other shades creates unique new colour combos, thus adding to its versatility.

540 Liquid Mirror – a dark silver metallic (with a grey/steely undertone) in a formula that’s not without it’s share of issues. On the plus side, the colour saturation is intense enough that you get great opacity even by the first coat, but you’ll need a very steady hand to minimize visible brush strokes. Some lines will level out as the polish dries, but do note that it will be impossible to eliminate them all. Another option is to add a layer of Hyperrose Glass which will not only camouflage some of the more obvious lines, but also provide a really cool mauve-y overtone. Apparently the inspiration here lies in the mirrored look and lines of urban skyscrapers and while I appreciate the imagery, I personally don’t feel it’s one that translates as well worn along the nails.

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CHANEL · Le Vernis 542 Pink Rubber swatches (natural light & direct sunlight)

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CHANEL · Le Vernis 542 Pink Rubber swatches (with top coat & 544 Hyperrose Glass)

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CHANEL · Le Vernis 544 Hyperrose Glass swatches (natural light & direct sunlight)

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CHANEL · Le Vernis 540 Liquid Mirror swatches (direct sunlight & with Hyperrose Glass)

 

Apart from the fact that this collection is not overwhelmingly large (as so many other holiday collections tend to be), I’m really liking the sophisticated direction CHANEL has taken. As seen in my previous post, the eyes were all about strong & graphic colours, while here the lips, cheeks & nails serve to soften up any harsh edges. Neon pink is not a shade I’d normally reach for but here’s the thing: a light wash of Hyperfresh serves to totally brighten up the face while also adding a youthful hue, and that touch is always welcome. Both Super Nude and Ultraberry are drop-dead stunning and wearable; enough said. As to the nails, I applaud the mix of textures and and I’m having fun with both Pink Rubber and Hyperrose Glass, but Liquid Mirror just didn’t make the grade as far as I’m concerned, and that’s with bringing my considerable polishing skills to the table. I’m not giving up on it yet, however, as I not only love the colour but the name too; I still have a few more tricks up my sleeve to try!

Available November 1 at all CHANEL beauty counters

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Press samples/As always, all opinions are my own